2026 Hatched Emerging Performer

We’re excited to announce our 2026 Hatched Emerging Performer, Arkie Moore!

29 October, 2025

Arkie Moore is one of Sydney’s most exciting young trumpet talents. Recognised for her versatility across a broad range of musical styles, she is a sought-after freelance performer and dedicated trumpet teacher. In 2025, Arkie was Associate Principal Trumpet on the Australian Youth Orchestra International Tour to Germany, Austria and the Netherlands, performing under David Robertson (NYC) in venues including the Concertgebouw (AMS) and Musikverein (WIE).

We interviewed Arkie about her musical background, interests, being chosen as the Hatched Emerging Performer and her plans for next year with Ensemble Offspring.


Ensemble Offspring’s 2026 Hatched Emerging Performer, trumpeter Arkie Moore.

As our Hatched Emerging Performer, Arkie will be performing with us in our 2026 concerts! Come see her and the ensemble at The Oracle at ACO On The Pier in June, Avant Gardens: Spring in Sydney and Brisbane in October, and Future Classics (our Hatched Academy program) at the Sydney Opera House in November.

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Why are you excited about being Ensemble Offspring’s 2026 Hatched Emerging Performer?

I’m excited for the opportunity to delve deeper into the world of new music — I have always been drawn to contemporary repertoire due to its rhythmic nature, technically difficult qualities, and its ‘bizarreness’ that creates space for self-expression and authenticity. The chance to play in a new music ensemble however is rare, so performing with Ensemble Offspring next year alongside such high-calibre musicians will be such a privilege! I am particularly looking forward to learning and drawing inspiration from Ensemble Offspring members regarding chamber music, as I would love to maybe start-up and tour with my own chamber ensemble one day.

Image of Arkie Moore by Keith Saunders

What first drew you to the trumpet? How old were you when you started playing and what made you stick with it?

I actually originally picked the French Horn over the trumpet, because I liked its ‘curliness’… But Mum persuaded me to pick trumpet instead before any instruments were purchased, because of its versatility and family history (my great grandfather Archie Moore played the cornet). I began playing when I was almost 8, and loved making a huge sound and getting to play the melody — not much has changed in that regard I guess!

What made you decide to pursue music as your career?

Playing music is really special, as it is both a passion and a lifestyle that brings people together to create, experiment and explore. There is no limit, and there is always more to learn, and that’s what I love about it. Music has allowed me to travel, and to meet and play with some amazing musicians who continue to inspire me through their resilience, ambition and drive. I really cherish being a part of this community, and couldn’t imagine a life without music.

Why do you like playing new music and jazz specifically?

I like playing new music and jazz because of the emphasis on style, freedom and groove. Playing these genres allows me to relax, let loose and take more risks.

Where do you see yourself in ten years?

In ten years time I would love to have toured the globe, and be settled into Sydney (or elsewhere) as a freelance trumpet player. Either that or be in a full-time chamber ensemble!

What are you looking forward to in 2026?

I’m really looking forward to working with Remy Le Boeuf and premiering his new commission through Ensemble Offspring’s Hatched Program!

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